Captureand share your story! Video is used to capture hobbies, memories, gameplay and more. Screencast-O-Matic gives you the tools you need to make videos, enhance with effects, and share with your friends, family, and fans. Turn moments into movies. While Korean cinema has a long and pretty terrifying history when it comes to ghost films, the spooky sub-genre doesn’t tend to be forefront in people’s minds when the discussion of South Korean films leans towards horror. Without a doubt, the far more prevalent and easily more recognisable revenge’ model is the go-to for many film fans. So with 2020 being the year that a Korean film is the first foreign language film to take home the Best Film Oscar, Shudder are frontloading their offerings with everything they can grab from the country’s fully stocked library of films waiting for a release. And while April’s MHz did next to nothing for most fans of the genre, the company’s latest acquisition, Warning Do Not Play may fare a little better. An aspiring film maker, Mi-Jung Yi-Ji Seo – Diary of a Night Watchman is frantically trying to come up with a new idea for a horror film. When her friend tells her a tale of a haunted film, supposedly made by a ghost and banned from ever being shown, Mi-Jung sets out to find out if the urban legends and rumours are true. Her search for the scary film that may, or may not, have killed somebody durning a university screening doesn’t only turn into an obsession for the young filmmaker, it becomes the inspiration for her own film. She will document her hunt for “Warning” and that will become her own scary movie. Tracking down the director, Jae-Hyun Seon-kyu Jin – Kingdom, getting her hands on a copy of this damned film and getting to the bottom of why the film is so feared might not be as easy as Mi-Jung thinks. But as tales of a young actress burned to death, a cursed film, and a vengeful ghost begin to feel more like real-life, Mi-Jung finds her dream project and the urban legends she is chasing come colliding together with horrific consequences. READ MORE Video Game Remakes – Why Are We So Excited? In 2007, director Kim Jin-Won not to be confused with the excellent Kim Jee-Woon made The Butcher; a found footage style film that took on the taboo of snuff movies, and looked at footage from the angles of the maker and the victim. It was a fun little film with something interesting to say but fell flat with audiences that saw it; primarily for its inability to live up to films like The Good, The Bad and The Weird or The Host that surrounded it. But the filmmaker had an obvious love for the way films are created, and telling stories around their production. Warning Do Not Play, while slightly self-indulgent, is a love letter to the creation of low-budget found footage horror films, even invoking the name of The Blair Witch Project in his script which, for the most part, is solid and tense. While not wholly original, much of the tension in this film is built up through the use of a tiny phone flashlight and us knowing, knowing, something is going to come out of the dark straight at us. Early jumps are telegraphed, faked, and then delivered with excellent timing and awareness of audience knowledge. We know that shadow is going to come at us, and we are pretty sure when. Kim Jin-Won knows we know this and racks up the tension before delivering scares accordingly. Sadly, the director’s tricks don’t last long, and this 85 minute film loses the ability to make you catch your breath and draw goosebumps quite early on. That being said, the scares that hit are good and the ones after that point are still delivered well while looking and feeling creepy, but the story of cursed crews and disastrous shoots has taken over and this horror movie becomes more of a mystery needing solving. Yi-Ji Seo convinces as the desperate director clinging onto the hope of a great idea to turn into a film. Her insistence in putting her life in the hands of her phone’s measly light in the hope of getting inspiration are admirable and stupid in equal measure. She has audiences begging her to turn and run and screaming at her for going into that basement we all know is going to be far worse for her than she realises. But we can feel the longing for that killer idea in her and while we know it is almost certainly going to end badly, we understand the things pushing her down those stairs and into the dark. READ MORE The Analogy of Jordan Peele’s Get Out and why you should stop watching The Help Seo’s performance is the main reason to stick with Warning Do Not Play. Her torture at the hands of the ghosts haunting her film is brilliantly portrayed,, even if the hints at her troubled past are frustratingly left by the wayside. She desperately needs a bigger and better film to showcase her talents. Warning Do Not Play is a mish-mash of its influences. From Ringu and Ju-On, to Lights Out with a healthy dose of One Cut of the Dead, the film homages all these great films while never honouring them quite as much as it thinks it is. It is a film to go into with slightly lowered expectations and a less than critical eye. Warning Do Not Play premieres on 11th June on Shudder UK.
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PHOTO mm2 EntertainmentSINGAPORE — A film about a director who's making a film may sound a tad indulgent, but that's the basic premise of Warning Do Not Play. Of course, it features a director who's painfully hipster in appearance, who seems like an idealised projection of the writer-director of Warning Do Not Play. With a premise that sounds more suited for an art film than a horror film although it could be both, the movie promises much but delivers something else mm2 EntertainmentThe film centres on struggling director Mi-Jung Seo Yea-Ji who learns of a legendary horror film and goes on a quest to unearth it and find the director of that film, who seems to have gone insane. However, she finds out that there may be some truth in his incoherent ramblings, and finds herself getting pulled into circumstances that led to the creation of the horror mm2 EntertainmentBeing a horror movie affords the chance for interesting and metaphorical visuals, which the film has in spades. It's an interesting bit of artistry, especially when the story goes off on a figurative tangent and blurs the line between reality and the imagination of the characters. The visuals are enjoyable, but the story gets lost in the process. The film can get very disjointed at times, especially when it comes to the horror mm2 EntertainmentHowever, the horror scenes are relatively limited, being left mainly for the third act and to open the film. The bulk of the movie is actually a mystery, one in which Mi-Jung solves sort of by finding the creator of the film she's been looking for. It's probably better categorised as a mystery rather than as horror, given that you're not really that scared for most of the mm2 EntertainmentMain character Mi-Jung looks unlike any director you've ever seen which is good, but bears all the mannerisms and neuroticisms of one which isn't. Perhaps that's why in the story, she projects herself into a character in the film that she's making, as her friend points out. Ironically, it seems like exactly what the actual director of Warning Do Not Play did with Mi-Jung, which makes it a rather meta reference to be had. Then you have the two fictional films in the movie itself — the one that Mi-Jung is looking for, and the one that she creates, Both of them are titled Warning Do Not Play, in a very circular, self-referential bit of mm2 EntertainmentYou do empathise with Mi-Jung over time though, partly due to her portrayal as a nervous wreck who has great faith in her vision for a movie, but isn't quite sure what that vision is. She's a difficult character to play, but Seo Yea-Ji manages to pull it off and express the different facets of her character over the course of the movie. Mi-Jung's misplaced faith also mirrors the direction of Warning Do Not Play itself — you can't quite shake the fact that the overall direction of the movie is murky, at mm2 EntertainmentDespite its short runtime, there are some very lengthy, sleep-inducing scenes which could have been trimmed for time. These differ from the talking heads scenes, which do discuss some fairly intriguing topics. But as a movie that borders on arthouse, it's inevitable that some indulgent scenes would have creeped their way in — which they mm2 EntertainmentWarning Do Not Play is more of a mystery movie than anything else, with some horror elements. It can be a little interesting thanks to its more artistic bent, but it loses its direction trying to be meta at times. By being arthouse, it becomes confusing, which isn't the best thing for a horror movie to you watch this at weekday movie ticket prices? you watch this at weekend movie ticket prices? time 86 minSecret ending? Do Not Play is a Korean mystery movie with horror is directed and written by Kim Jin-Won. It stars Seo Yea-Ji Mi Jung, Jin Sun-Kyu Jae-Hyun, Kim Bo-Ra Ji Soo, and Cha Yub Cha Kwang-Bae. It is rated Do Not Play opens in cinemas- 29 August, 2019 Singapore- 5 September, 2019 MalaysiaMarcus Goh is a television scriptwriter who writes for “Crimewatch”, as well as popular shows like “Lion Mums”, “Code of Law”, “Incredible Tales”, and “Police & Thief”. He’s also a Transformers enthusiast and avid pop culture scholar. You can find him on social media as Optimarcus and on his site. The views expressed are his Yahoo Lifestyle Singapore on Facebook. Step1: Completely close the Hulu app on your streaming device and reopen it. Step 2: Restart your device. Step 3: Try resetting your router. If Warning A must-watch ghost tale! Check out our review for Kim Jin-won’s South Korean horror for Shudder. By Rachael Harper 11-06-20 77,715 Aspiring director Mi-jung’s life revolves around horror movies. Not only does she direct them, she consistently dreams about them and then enthusiastically writes about said dreams when she’s awake. But when Mi-jung’s obsession leads to her persuing a rumoured horror movie shot by an actual ghost, her fixation on the genre gets far too close for comfort. Struggling to find a story for her next movie, Mi-jung Ye-ji Seo believes this ghost-shot frightener named Warning’ is the key to hitting the big time. However, with flashbacks to an attempted suicide in her past, Mi-jung’s life has a few horrors of its own, and the deeper she goes into this ghostly tale, the more her own life blurs into that of the movie. Make no mistake, Warning Do Not Play may sound a little The Ring-esque with its haunted film’ skew but this is just one of the many ways this movie squarely lines up your expectations and then quickly pivots away from any assumptions. What starts off as a seemingly simple ghost story leads the viewers down paths of abuse, mental health, aspirations, escapism, death and good old-fashioned humans being absolute bastards. The story divulges into various directions at one point we’re even asking ourselves if Mi-jung IS the ghost but writer and director Kim Jin-won juggles all of them with seeming ease, steering the story in a very linear if complex direction. This is aided massively in Ye-ji Seo’s performance, which anchors the whole movie in a central focus on the character of Mi-jung. We find out pretty early on that Mi-jung is an unreliable protagonist but that doesn’t stop us wholeheartedly following her on what is clearly a treacherous journey. Kim Jin-won also heaps on the terror without resorting to jump scares or gory set-pieces. Sure there’s plenty of blood to go around, but the really unsettling moments are shrouded in the sly use of shadows and in the viewers’ imaginations of what we DON’T see even when Mi-jung photographs the horrors around her with her phone we’re not overly privy to what she captures. The final third of the film does drag slightly, with a showdown that loses momentum after a while. However, Kim Jin-won sticks the landing by shining a dark spotlight on humanity having the capacity to be a hell of a lot more evil than an enraged specter ever could be. Warning Do Not Play is available on Shudder now.
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“Listen to my warning, don’t shed tears of regret when it’s too late.”Want to be spooked out and become afraid of a new ghost story complete with creepy ghoul noises? Shudder has got you covered when it added Warning Do Not Play to its streaming schedule. Directed by Kim Jin-won and starring Seo Ye-ji and Jin Sun-kyu, PremiseMi-jung has to come up with a new horror movie script soon or she’s going to be in hot water. Her friend, Jun-seo, tells her about an urban legend that might actually be a true story. 10 years ago an aspiring filmmaker screened his new film, Warning, at graduation. Apparently someone had a heart attack and multiple people left in fear. The legend goes that the movie itself was filmed by a ghost. Mi-jung decides to write her script about her own search for this film and begins to do her research. Eventually she discovers the director, the film, and the true story. But if it’s all true, has Mi-jung invited a vengeful spirit into her life?Trigger warnings self-harm Here’s what I loved full spoilersI wanna dive right in and talk about Soon-mi, the ghost in this movie. Clearly, she is a Gwisin which is a vengeful Korean spirit. These spirits are usually found in abandoned buildings and died without completing something so their spirit remains on earth to hopefully complete the task, growing stronger the longer the task is uncompleted. Soon-mi was an actress in 1980 who died filming in a theater, she was shooting a hanging scene when a fire broke out. Her crew left her and ran, in her panic she kicked the chair out from under her and actually did hang herself. Horrifying. But Soon-mi is out for some fucking vengeance and it’s such a cool idea – she wants her damn movie to be made and for people to see it, and since she’s basically trapped in this abandoned theater, anyone who enters is at risk. The original director, Jae-Hyun, filmed the theater while Soon-mi killed his crew, he screened it, but it wasn’t enough to satisfy her. When Mi-jung ends up in the same situation, she successfully films her movie without killing anyone, then screens it to standing applause. Soon-mi is finally satisfied, we think. But to get to that point Mi-jung has to go through a lot of terrible shit, including being haunted by Soon-mi and she is SO terrifying. Firstly, we never fully see her, she appears in the dark corners, some burned fingers, an eye without an eyelid, stringy hair, bloody cheeks. We’re never shown a full shot which keeps you pretty terrified as your mind fills in the blank spots. But most importantly, Soon-mi makes some terrifying fucking noises. All I can think to relate it to is like an insect type noise, coming out of a dead woman’s throat, in the pitch black. Move over creepy girl from The Grudge, your noise has been read reviews of this movie and I’ve seen quite a few complaints. I’ve seen folx saying this movie is hard to follow, or reviewers referring to Soon-mi as a Yurei spirit. To those I say; do better. Pay more attention to a movie that has subtitles, work harder while watching it to fully understand the story. And secondly, do your fucking research. This is a Korean film, not a Japanese film. To me, this movie was a fascinating story to chew on and once I had pieced it together it was supremely satisfying. A well thought out plot that turns horror fans against themselves. Most of us watch horror to chase that feeling of fear, of the unknown. Warning Do Not Play throws that in our face – showing us what could happen if we took chasing our horror dream too far. It’s so damn good. There’s also many supremely unreliable narrators here that will twist your view point of the main characters over and is also an incredibly emotional film, both Jae-Hyun and Mi-jung have emotional pasts that play a big part in their story trajectory. It says a lot of about sacrifices and how far someone will truly go to achieve their dream. “You know what’s scarier than dying? Living in horror.” Outstanding performances by everyone, some genuinely scary moments including one in the first 5 minutes, a very funny scene involving some film nerds, and a complex story that sticks with you long after the credits also some very unique story telling as the two tales combine in moments, leading to you breathlessly trying to figure out how that was Do Not Play is a must watch for horror fans! “You’re insane too.” ABOUT SHUDDERAMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland and Germany. To experience Shudder commitment-free for 7 days, visit QA for peer programmer code reviews. Q&A for peer programmer code reviews. Stack Exchange Network. 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Shudder Shudder continues to impress fans with its exclusive content. Shows like The Last Drive-In with Joe Bob Briggs and Cursed Films are getting considerable buzz, while the films they’re securing exclusive streaming rights to are reliably worth a look. Such is the case with one of the newest offerings, Warning Do Not Play. This South Korean horror effort is from director Kim Jin-Won 2007’s The Butcher. It follows Mi Jung, a young director who’s been preparing a new film for 8 years. She finds herself entangled in pursuit of an infamous banned film that was supposedly made by a ghost. Her search for the film leads her into a web of horror and deceit that she and those around her may never escape. RELATED Shudder’s One Cut of the Dead’ Coming to DVD/Blu-ray Warning Do Not Play is often effective in its use of tension and atmosphere, despite some distracting use of jump cuts and close-ups. There is some imagery that is also quite chilling. With that said, much of the creepy elements of this film feel a little recycled. There’s nothing particularly cutting edge with the design or style of Warning Do Not Play, and it ultimately ends up not being very memorable visually. Much of the film’s strength is in its story. Not without it’s blemishes, the plot of this film spins a bizarre web of history behind the infamous ghost film and the theater that is central to the narrative. It almost feels like a dedication to the passion for movies. A scary statement about how far a filmmaker is willing to go to complete their films. Shudder’s newest exclusive is definitely worth a look. The story is engaging and the atmosphere is effective. What it lacks in style, it makes up for in execution. If Warning Do Not Play and the recent Japanese cult hit, One Cut of the Dead, are any indication, Shudder will be a good place to see new buzzworthy Asian horror films that are worth the watch. RELATED Clive Barker is Suing to get Hellraiser’ Back
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Full Review Original Score 3/5 Jun 18, 2020 Prev Next Do you think we mischaracterized a critic's review? Warning: Minor spoilers ahead* I am an absolute wimp when it comes to gore and violence in TV shows and movies. But something about the candy-colored images and funny name of Netflix’s new Squid Game intrigued me enough to stop and watch the trailer. The premise is like a Nickelodeon game show turned fatal, with “contestants” playing a series of children's A rookie director desperate for a script seeks out an urban legend about a horror film said to be filmed by a ghost. Mix found footage, classic Asian horror and more than a touch of Christopher Nolan's penchant for nested or complex narratives and you have a fascinating film from writer/director Kim 암전 is the Korean title for this film and means "Blackout" which is a much better title as it has multiple levels of meaning for this film. It probably doesn't have that attention grabbing feel of a title like Antrum The World's Deadliest Film which this has been compared to. That said the English title does work it just doesn't have the same this film, Mi-Jung Seo Ye-Ji is a first time feature director coming off of an impressive festival screening. But we find her suffering from that great curse of all creatives, writer's block. Running out of time to present her producers with a script she desperately seeks out a subject. This is a pretty common set up for a ghost story. There are two kinds of ghost story protagonists those who inadvertently contact the ghosts and those who seek out the ghosts. The former tends to show up in films like The Grudge, Rec, The Amityville Horror and The Conjuring. These are usually survival/escape/resolve haunting stories. The latter is more who seek ghosts fall into a few subcategories the desperate, the hubristic, the curious, and the insane. They can be intermixed but typically these people have some sense of what they are getting into and do it anyway. This can lead to unsympathetic or stupid protagonists. Why would you go into the house of legend and why would you stay when the voices scream "get out?"Mi-Jung falls into the category of the desperate and the curious. Her desperation for inspiration leads her to dig up a legendary film called "Warning" that was supposedly filmed by a ghost who murdered the people on screen. But once she finds out about it her curiosity starts to get the better of her and she feels she must find this film. This leads her down a progressively dark path where we learn that there is more to her and this obsession than we first notice I don't mention other actors as much and that's not because they aren't good it's just that Mi-Jung has the responsibility of carrying the film and is in most every shot, many times alone. If we do not believe her, the movie falls helps that Kim Jin-won has penned an interesting script. The film has meta feel in places. A film about a filmmaker seeking a film that's based on a mystery surrounding another previous film gives the whole thing a Russian nesting doll feel. And it works more than it doesn't. The film is narratively ambitious and it doesn't leave a lot of room for character development. Most of it is either expository or used to move the story forward. It's not bad but you won't be finding any grand soliloquies in film though is almost too ambitious. Without the intricate set up and pay off the film is a pretty standard "oh no I opened a can of ghost" based on the Gwishin 귀신 who are ghosts cursed to remain on earth because they have not finished their objective in life one guess what that is. Rather than tell a complex story in a simple way the film tells a simple story in a complex does have a few red herrings and an ending that is ambiguous, the different film narratives collapsing into a single tale about madness, obsession with the camera and what it can do, and an angry ghost. And your enjoyment of the film will come from how well you feel the film accomplishes this narrative direction is spectacular with lots of clever ideas and Jin-won is able to maintain cohesion regardless of which film we are experiencing. The found footage is of a different quality than the main feature and the feature within that has its own vibe. I love that the film doesn't rely heavily on jump scares. There are a few but mostly the film is content with is some gore and it's mostly good. It's a mix of practical and digital and I'll have to say some of the digital elements were very apparent and took me out of the film especially a sequence involving some barbed wire but this is a common gripe for me and may not be for you. There are some digital effects shot not related to the gore that are actually rather exciting and show a clever imagination on the part of the do want to take a moment to single out the cinematography. Yoon Young-soo has translated the director's ideas into some beautiful haunting imagery. Many scenes in the film have a single cell phone light source and it never feels cheap or cheesy. There's a great use of different colored filters to highlight characters and offset them from each other and the backgrounds. Outside of the ghostly moments there is a naturalistic feel to the lighting, especially a couple of scenes at night at an outdoor Do Not Play is a great little horror movie. It has a lot of things I like from different genres and includes some impressive direction and cinematography. If you've seen a lot of Asian horror or a lot of found footage and are looking for something a little different and narratively ambitious this might be for you.
Bright Bright is an utterly silly, completely ridiculous movie, seemingly born out of algorithm-generated, genre-hybrid logic. One can almost hear Netflix executives reading back the
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